Mozart Winterthur Symphony No 36 C Major Linz 10-Inch 33 RPM Vinyl LP Record For Sale

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Mozart Winterthur Symphony No 36 C Major Linz 10-Inch 33 RPM Vinyl LP Record:
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Mozart Winterthur Symphony No 36 C Major Linz 10-Inch 33 RPM Vinyl LP Record
Record Grade per Goldmine Standard: VG
Mozart, Winterthur Symphony Orchestra, Walter Goehr – Symphony No. 36 In C Major (K.425) \"Linz\" / German Dances, Nos. 1 And 5 (K.600)
MOZARTSymphony No. 36 in C major (K.425)“Linz”German Dances, Nos. 1 and 5 (K..600)Winterthur Symphony OrchestraWalter Goehr, conductorMozart’S forty or more symphonies are evenly distributed over practically the whole of his career.They thus afford excellent material for studying the development of his style. While we first see him makingsure of his materials and technique we observe how the separate parts gradually acquire more freedom andindependence, how melody and invention grow. The subjects gain in character, details are better worked outand the wind instruments, no longer used merely to strengthen the strings, attain an independent existence.They materially contribute to the effects of light and shade, until at length the various component parts of theorchestra become one animated whole. We can see Mozart pass from one model to another, Christian Bachand Abel, giving place to the Italian masters and they in turn to the Viennese school represented, above all,by Josef Haydn.Mozart wrote more than twenty of his symphonies in Salzburg. The rest was written in Vienna, withthe exception of one in C major (K.425) — recorded here. This symphony was written in Linz in 1783 whenMozart and his wife visited with Count Thun, father-in-law of a distinguished pupil of Mozart’s in Vienna.The Count was enthusiastic about Mozart’s music and asked him to write a new symphony for a private concerthe had organized for a little later that year.The symphony Mozart thus composed is known as the Linz and is considered one of his great worksin this form. A letter of Mozart informs us that the entire symphony which is dedicated to Count Thun waswritten between October 30th — the date of his arrival in Linz — and November 3, 1783. It was performedon November 4th. Barely five days sufficed for Mozart to write an entire elaborate symphony in four move-ments — Adagio\'. Allegro spiritoso — Poco adagio — Menuetto and Trio — Finale\'. Presto. What a marvelof creative power IThe symphony starts with a serious, slow introduction a la Haydn. The first Allegro, as indeed the entiresymphony, has an exuberant, vigorous and brilliant character, interrupted by episodes of almost romantic, lyricmelody and by occasional outbursts of passionate, melancholic, sombre traits. Such an unorthodox episodeoccurs, for instance, in the middle of the first movement, where the development section dwells with surprisingeffect on an insignificant motive of no-importance in the exposition. Similar episodes are manifest also in thedevelopment sections of the slow movement and of the finale. Dynamic contrasts, sudden changes from pianoto forte; irbm one mood to its opposite are frequent in this symphony. They dominate especially the slow move-ment and the finale. In the last movement an attentive listener will be particularly interested by the mannerin which the vivid and bright principal theme is pretty soon abandoned, when a secondary motive wandersoff to distant regions, in a whole scale of various moods, meditative, tender, playful, vigorous, thus reachingagain the emotional sphere of the carefree principal theme.The two Dances at the end of the second side of this record are taken from the master’s Six GermanDances (K.600). They are listed as numbers 1 and 5, and were composed in 1791. Dance number 5 containsthe famous and charming canary trio. A passionate dancer himself, Mozart gave this form of compositioninspiring elegance and lightheartedness as well as a rich tonal color.lp1312


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