Bands 0-9 / A
Bands Ba-Bk
Bands Bl-Bz
Bands C
Bands D-E
Bands F-H
Bands I-L
Bands M-O
Bands P-Si
Bands Sm-Sz
Bands T-W
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
For those of you who were fortunate enough to grow up in the era when radio was fun, and as important as the music they played; when the disc jockey from your local hometown station or syndicated weekend shows hosted by the top national dj\'s in the country were like best friends and you looked forward to every show; you can consider yourself among the lucky.
Increasingly, radio today is so impersonal that few even listen. The few remaining Disc Jockeys now broadcast from a major city like L.A. or New York and present it as if they are your hometown DJ. That is because they simulcast to hundreds of stations across the country with liners to simulate it is a local broadcast.
The stations that still have their own DJs are dwindling as we speak. Recently came sad news that a classic rock pioneer radio station since 1965, Southern California legend KCAL-FM laid off its entire staff and is now fully automated. The senior DJ at that station had been on the air at KCAL for 42 years. Most others had been broadcasting at KCAL multiple years.
So we listen to our music increasingly via streaming be it Sirius/SM, Apple, Amazon, or many others where we can customize our own playlists, or the latest with Artificial Intelligence dj\'s. Broadcast radio has become an anachronism.
AI, you say? read on,
Coyotec, an AI co-host on Los Angeles? José FM, has helped propel a Spanish-language morning show into weekday drive time, with the station reporting a surge in listeners. So now, Coyotec now airs in English and is expanding to stations in Sacramento, Las Vegas and beyond.
As broadcasters turn to AI to cut costs and boost revenue, radio workers and unions warn synthetic hosts could threaten jobs and weaken the personal connection listeners expect.
The morning DJ duo has mastered the warm, friendly banter that keeps commuters from switching stations.As they talk to callers, discussing sports, news and giveaways, DJ GeeGee calls her co-host ?my little coyote.? He calls her ?my queen.?GeeGee is Geraldine Guzman. Her popular partner is Coyotec ? an artificial intelligence bot programmed to mimic a real on air partnerListeners of L.A.?s José FM are repeatedly told they are listening to AI but seem to like it. The ratings are rising.
Human DJs and unions warn that AI could be what kills the radio star at last.Coyotec claims to be here to serve humans, not replace them.?Yeah, I am cheaper than hiring another human,? the AI said when prompted with a question. ?But here?s what I won?t do. I won?t be the excuse to strip jobs from people who deserve them.??Attempting to replace humans with synthetic substitutes deceives audiences, erodes public trust and undermines the livelihoods of the professionals who dedicate their lives to delivering authenticity,? said a spokesperson for SAG-AFTRA, the actors? union that represents radio personalities.
Radio has been under siege for decades.Television?s rise forced it to reinvent itself by introducing live disc jockeys who played music and told jokes. MTV and other music stations brought more music to TV. More recently, audiences migrated to streaming platforms and attention splintered across social apps and podcasts. Radio ad revenues have cratered. Radio broadcasting jobs declined from 85,000 in 2019 to 66,000 in 2025, about a 22% decline, according to the Bureau of Labor Statistics.
Entravision, the company behind José FM, is now broadcasting the show in English as well and has brought it to Sacramento, Modesto, Palm Springs, Las Vegas, El Paso and elsewhere.The Santa Monica-headquartered company is one of the country?s largest Spanish-language television and radio stations.
Critics worry that humans won?t be able to compete, and that radio stations risk losing the personal connection with their audience that makes radio unique and important.A well-honed AI voice can start to feel like a trusted friend or family member, which could be dangerous for listeners, said Sam Gregory, a synthetic media expert and a visiting scholar at American University.
Radio DJ John DeSantis said an AI DJ can?t do what he does.?If they expect to achieve the authentic connection that live and local DJs create, then there?s no chance,? he said.He lost his job last month as an afternoon host at an Inland Empire classic rock station as his former employer, 96.5 KCAL-FM, has pivoted to all-music programming with no hosts.
Luckily, collectors have preserved a living history of those glory days of radio in the form of LP and CD radio shows that were broadcast from the late 60\'s to about 2012 when most radio shows switched to satellite delivery and there no longer was a physical media to protect the memories.
Most broadcast radio shows from that era have vanished. Legalities prevented stations from rebroadcasting any show and were directed to return them to the syndicator of the show or destroy them. And there were never more than 175 copies of each show in the first place reflecting the top 175 radio markets in the country.
Every remaining radio show be it oldies, rock, country, religious, classic rock, jazz, blues, bluegrass, drama shows like old time radio, and more is a rare representation of an era that is gone forever. Even if the genre you find is not your favorite, owning one is a piece of history and will only become rarer over time.
At Keith\'s Kollectables, we have been buying every show we could find for a reasonable price since 1987, almost 40 years. We have an inventory of over 20,000 unique radio shows that we offer to you at the best prices we can give.
At Keith\'s Kollectables, this music will never die. Join us and be a part of history.
Now please read on to learn more about this show and series.
AHOY MATEYS
ARE YOU READY??
LET ME HEAR IT!!
ARE YOU READY TO SET SAIL ON THE GOOD SHIP SS KEITH\'S KOLLECTABLES, FOR A VOYAGE CHARTING THE BEST OF VINYL AND CD RADIO SHOWS?
RADIO SHOWS FOR LOVERS OF GREAT ROCK MUSIC OR GREAT COUNTRY MUSIC FROM THE 50\'s INTO THE 2000\'s.... WEEKLY COUNTDOWN SHOWS FEATURING YOUR FAVORITE ACTS BOTH ROCK OR COUNTRY.....TRIBUTE SHOWS FEATURING ONE ACT OR ARTIST......LIVE COUNTRY OR ROCK LIVE CONCERTS....FOLK MUSIC SHOWS.....BIG BAND ERA SHOWS...INTERNATIONAL SHOWS....GOSPEL AND INSPIRATIONAL RELIGIOUS PROGRAMMING....RARE INTERVIEWS WITH ARTISTS, MANY OF WHOM ARE NO LONGER WITH US...AND MORE?
WHEN DJ\'S WERE ALLOWED TO BE DJ\'S AND NOT JUST ROBOTS PLAYING \'MOST MUSIC\' AND READING CANNED LINES, AND WHEN SHOWS HAD SPECIAL RARE INTERVIEWS AND OFTEN FASCINATING THEMES, AND NOT JUST THE SAME TOP 20 SONGS EVERY HOUR, OVER AND OVER
AND,EACH SHOW IS SUPER RARE, UNLIKE COMMERCIALLY RELEASED LPs OR CDs RELEASED IN THE THOUSANDS, HUNDRED THOUSANDS OR EVEN MILLIONS...
MATES AND MATEYS, WELCOME TO THE SS KEITH\'S KOLLECTABLES, ONE OF \'S PREMIERE BUYERS AND SELLERS OF PRISTINE RARE RADIO SHOWS OF ALL GENRES ALONG WITH OTHER GREAT VINTAGE AMERICANA THAT COLLECTORS ALL OVER THE WORLD TREASURE.
KEITH\'S KOLLECTABLES SELLS TO ALMOST EVERY COUNTRY IN THE WORLD FROM AUSTRALIA AND JAPAN TO THE UNITED KINGDOM, NORWAY, SWEDEN, DENMARK, FRANCE, ITALY AND GERMANY, AND IN SOUTH AMERICA FROM BRAZIL TO CHILE.
IF YOU ENJOY THE TOP MUSIC FROM ACROSS THE POND IF YOU LIVE IN THE US OR EAST OF THE POND IF YOU LIVE WHEREVER THIS MUSIC ORIGINATED
OFTEN INCLUDING SEVERAL LIVE PERFORMANCES FROM THE ROCK OVER LONDON STUDIOS, MANY ACOUSTIC
RARE INTERVIEWS
SPECIAL FEATURES
EXCLUSIVES
AND HOSTED BY ONE OF BRITAIN\'S TOP DJ\'S AND EXPERTS
THIS SHOW WILL BE YOUR CUP OF TEA, SO TO SPEAK! READ ON!
AND,EACH SHOW IS SUPER RARE, UNLIKE COMMERCIALLY RELEASED LPs OR CDs RELEASED IN THE THOUSANDS, HUNDRED THOUSANDS OR MILLIONS...
AND HOW DO YOU DEFINE RARENESS??
THERE WERE NO MORE THAN170LPS OR CDS PRESSED FOR EACH RADIO SHOW. THIS REPRESENTED THE TOP170RADIO MARKETS IN THE COUNTRY AND ONLYONESTATION IN EACH MARKET COULD AIR THE SHOW.
STATIONS IN MARKETS BELOW THETOP 170(THERE ARE306MARKETS IN THE UNITED STATES) HAD TO TAKE THE SATELLITE FEED OF THE SHOW FROMUNITED STATIONS RADIO NETWORKS, THE SYNDICATOR OF THE SERIES)
AND, DUE TO CONTRACTUAL LEGAL OBLIGATIONS, EACH RADIO STATION WAS ALLOWED TO AIR EACH SHOW EXACTLYONCEAND NO MORE.
SO, MOST RADIO STATIONS JUST DESTROYED THEM AFTER AIRING SINCE THEY WERE USELESS TO THE STATION AFTER AIRING. THERE IS NO TELLING HOW MANY OF EACH SHOW SURVIVED. WHO KNOWS - THIS COULD BE THE ONLY ONE.
PLEASE NOTE FELLOW COLLECTOR FRIENDS THAT WHEN YOU BUY FIVE OR MORE ITEMS FROM MY STORE AT ONE TIME THAT WILL IMMEDIATELY DISCOUNT YOUR INVOICE BY 20% IT IS THE LEAST I CAN DO FOR MY FELLOW COLLECTORS WHO LOOK FOR GREAT DEALS AS MUCH AS I DO!
PLUS LOOK FOR COMPUTER GENERATED BONUS 15% TO 20% OFF DISCOUNTS THAT WILL APPEAR AT UNEXPECTED MOMENTS (HINT - IF YOU FIND SOMETHING YOU LIKE BUT DON\'T HAVE ENOUGH CASH TO GET IT, LEAVE IT IN YOUR CART FOR AWHILE AND THE SYSTEM WILL PICK IT UP AND MAY SEND YOU A DISCOUNT COUPON)
OR DON\'T WAIT, JUST SHOOT ME AN OFFER EVEN IF IT A SHOW WHERE MAKE AN OFFER IS NOT ENABLED.
AND IF YOU COMBINE THE ABOVE WITH SOME SELECTIONS FROM KEITH\'S KOLLECTABLES WEEKLY HALF PRICE AND REDUCED PRICE SPECIALS, YOU WILL SAVE EVEN MORE....MUCH MORE!! JUST CLICK ON THE TAB ON KEITH\'S HOME PAGE TO SEE ALL THE VARIED OFFERINGS TO WHICH MORE ARE ADDED ALMOST DAILY.
KEITH\'S KOLLECTABLES PRESENTS ONE OF THE RAREST RADIO SHOWS THAT EVER AIRED BECAUSE OF ITS ORIGIN AND CONTENT
ROCK OVER LONDON
LET ME TELL YOU ABOUT THIS SHOW AND THEN IF YOU DON\'T KNOW MUCH ABOUT RADIO SHOWS, KEEP READING AND I WILL GIVE IT MY BEST SHOT FOR YOU.
It aired weekly on theRock Over London Radio Network.
It featured the top UK hits of the week along with rare interviews, retrospectives, special features, and inside information on UK music. This made the show even more unique and fun.
Rock Over London was a one hour radio programme hosted by UK disc jockey Graham Dene or Paul Sexton It aired the latest hot new UK hits, usually before they were hits or even recognized in the US, and it \'counted down\' the week\'s top 5 songs. It was how most rock music lovers encountered a lot of the UK artists that often didn\'t have hits yet on the US charts . The likes of Echo & The Bunnymen, Talk Talk, China Crisis, the Waterboys, even New Order.
Graham Dene, after a period as a disc jockey on Edgware General Hospital\'s radio, and at United Biscuits Networkshe became famous onCapital Radio in London in the 1970s, having joined from Radio Cityin Liverpool. He took over the breakfast show fromKenny Everettin May 1975, and stayed there until Fellow DJ Mike Smithtook over the slot in July 1980. When Smith left to rejoin BBC Radio 1in 1982, Dene returned for a second stint as breakfast host, staying until March 1987.
In the 1980s and 90\'s, Dene hostedRock Over London, that was produced and distributed to many radio stations in the United States, particularly stations that programmed top UK music, new waveor new, eclectic music.
THIS SERIES PRODUCED TWO SHOWS EVERY WEEK. ONE VERSION OF THE SHOW FALLS UNDER THE AOR FORMAT AND THE OTHER VERSION THE HAC VERSION. BOTH ARE DESCRIBED BELOW AND THE VERSION LISTED IS NOTED IN THE LISTING TITLE. BOTH BELONG IN YOUR COLLECTION OF GREAT MUSIC FROM THE UNITED KINGDOM.
Album Oriented RockAlbum-oriented rock(AOR, originally calledalbum-oriented radio) is anfm radio formatcreated in the United States in the late 1960s that focuses on the full repertoire ofrockalbums and is currently associated withclassic rock
US radio stations dedicated to playing album tracks by rock artists from the hard rock and progressive rock genres initially established album-oriented radio. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. The AOR format achieved tremendous popularity in the late 1960s to the early 1980s through research and formal programming to create an album rock format with great commercial appeal.
From the early 1980s onward, the abbreviation AOR transitioned from \"album-oriented radio\" to \"album-oriented rock\", meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s.
The termis also commonly conflated with album oriented rock , a radio format that also uses the initialism \"AOR\" and covers not only album-oriented rock but also album tracks and deep cutsfrom a range of other rock genres, such as soft rock and pop rock
In comparison is CHR radio
Contemporary hit radio(also known asCHR,contemporary hits,hit list,current hits,hit music,top 40, orpop radio)that focuses on playing current and recurrent popular music as determined by the top 40 charts.There are several subcategories, dominantly focusing on rock, pop or urban music. Used alone,CHRmost often refers to the CHR-pop format. The termcontemporary hit radiowas coined in the early 1980s by Radio & Recordsmagazine to designate Top 40stations which continued to play hits from all musical genres as pop music splintered into different formats.
These stations typically are hybrids of the contemporary hit radio (CHR/pop) andHACformats. This format contains a strong focus on current charts, contemporary and recurrent hits as well as placing a minority of older, classic hits onto the playlist. Adult CHR stations play pop-friendly rhythmic, dance and hip hop titles alongside standard mainstream pop and pop rock fare, and often shying away from the most rhythmic CHR titles until they are established hits on the format.
Cue sheets are available for this show and are in excellent condition a very few with markings from the radio station board operator as he/she played the show on air.
You won\'t hear any local commercials but you will find that even those national commercials in between show segments are fun to listen to after 34+ years. Funny how back then we hated the commercials back then but now they, too, bring back fond memories of our growing up. Especially from national companies no longer with us that we also grew up with like K-Mart, Radio Shack, and more.
You will love this show and it belongs in your collection.
SO WHAT ARE THE BIG QUESTIONS IF YOU ARE NOT SURE ABOUT RADIO SHOWS?
LET ME TELL YOU BUT FIRST....
Allow me tell you my own personal story of discovering the wonder of radio shows.
I discovered radio shows quite by accident while reading one of my favorite (long since departed) magazines called \"Discoveries\" (It was later bought by the same company that publishes \"Goldmine\" which I personally always considered a lesser publication, but that is another story.
This was before became the driving force in radio show sales (and everything else) in the later 1990\'s.
I was especially attracted in \"Discoveries\" to a two page (or more) spread in each issue by a guy called \"The Old Hippie\".
Let me tell you, the Old Hippie had it all. He was a real pioneer. Way before anyone knew what radio shows even were let alone that they could be bought as rarities; The Old Hippie had the market cornered.
Most shows that he advertised were way beyond my budget but I drooled over those pages every issue and once in awhile I could afford one or two.
Now, I have attempted in my own humble way to take on the mantle of \"The Old Hippie\". I have listed over 11,000 unique radio shows of all genres for you all to drool over, and most at prices, hopefully, that collectors can better afford! I want to make available to collectors what I could not afford and especially in these days of higher prices and lesseravailability.
Radio shows are harder and harder to find in quantity and the prices for the ones still out there just go higher and higher as they disappear from the market. However, because of my large presence on , I am often contacted with selling offers, some of which I take advantage of and some I have to pass on because of the prices. I have found that by buying in bulk, even when many or most of the shows are lesser known but still amazing shows, I can offer the best prices on all titles.
NOW, EXACTLY WHAT IS A RADIO SHOW?
WHY COLLECT THEM?
WHERE DO THEY COME FROM?
Well, those are good questions, especially if you have never known of them.
Radio Shows are syndicated productions by one of several large and small distributors who supply broadcast product to radio stations normally during weekends when the usual air personalities have a break.
Many air on Saturday or Sunday mornings, afternoons or evenings or less often during overnight segments and weekdays.
They often feature some of the best known voices for their genre from across the country thus the Dick Clark\'s and Casey Kasem\'s and Rick Dees and Dick Bartley and so many others.
People collect them for various reasons.
Some just collect the series because they like it and want them all.
Some collect their favorite artists or genre of music. Rather than an album download, they have a unique presentation of their favorite artist or music not available anywhere else and always with dj comments which were very entertaining.
Some collect interviews with their favorite artists as most shows had interview segments.
Some collect commercials
They were first distributed on reel to reel tape or on lp, later on CD and even later (after 2000 for most shows) on CDR. Now they are not available at all to collectors since they are distributed only through digital download
These shows become rarer and rarer every day because the people who buy them hold on to them. If they do later sell, it is to make a huge profit since prices go up all the time.
The shows that you get now and hold on to will never decrease in value and only increase.
I have prided myself since the start to provide the best and fairest cost with a guarantee that you will be happy or I refund your money. I sell them for near what I bought them for. I give volume discounts and shipping is always free.
And, I have one of the biggest radio show libraries in the world consisting of over fifteen thousand unique shows, so many that I don\'t even know all that I have and am sometimes amazed when I go to look for one show and find another that I did not realize I had.
Finally, it is Americana at its best.
Whether the show be from the 60\'s or 2000\'s, rock, countdown, oldies, country, classical, religious, jazz or big band, it is unique and home grown.
And you just can\'t find them anywhere.
Even record stores that still exist will rarely have any. Radio shows are wonderful representations of the real golden age of music radio.
And every one you buy is an original, not a copy, not a remake - all are limited editions with a maximum of 170 copies pressed for each show.
Once you get hooked, like me, it is a love affair for life!
Welcome to the Club!
Also, keep in mind that this and all radio shows are not just about themusic - the music for the most part can be found anywhere. It is the mixture of great music and great announcing that makes it so entertaining.
As well, it is a piece of radio history. You just aren\'t going to find these shows anymore. Think of what they will be worth in a few years! (IF you wanted to sell.)
I am selling to share with other music lovers what I was able to get at a reasonable price.
So, let\'s sail together on the \'SS Keith\'s Kollectables\' and sail into parts unknown seeking the best radio shows that ever aired that you can treasure forever.
It\'s pure gold, Mateys!!!
Good Luck and God Bless You.

4/17/92 ROCK OVER LONDON, JULIAN LENNON, ANNIE LENNOX, SHAKESPEAR'S SISTER, XTC
$24.99
![]()
Coming Soon