1922 Paul Whiteman Or MUSICAL BETTER TIMES Blowing Bubbles/ As long VICTOR 18960 For Sale

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1922 Paul Whiteman Or MUSICAL BETTER TIMES Blowing Bubbles/ As long VICTOR 18960:
$14.99

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A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

A high diver inGood Times



Two great Fox Trotsby thePaul Whiteman Orch/ Great White Way Orch with some high profilemembers in the bandon original BATWING issue:

From the NY Hippodrome Spectacle BETTER TIMES/ Broadway Hit Gingham Girl


Better Times, the follow on to the 1920 Good Times was a popular 1922 Broadway musical extravaganza, with music by Raymond Hubbell and a book by R. H. Burnside. Produced by Charles Dillingham, it debuted on August Sep 2, 1922 at the Hippodrome in New York City and ran from Sep 2, 1922 - Apr 28, 1923. It was seventh of Dillingham\'s elaborate spectacles at the Hippodrome.

Paul Whiteman & His Orchestra* ?– Blowing Bubbles All Day Long / Just As Long As You Have Me
Label:
Victor ?– 18960

Blowing bubbles all day long Fox trot

Better times

Raymond Hubbell (composer)

9/28/1922 New York, New York


Just as long as you have me The twinkle in your eye
Medley fox trot

The gingham girl

Albert Von Tilzer (composer)


Paul Whiteman Orchestra (Musical group)
Paul Whiteman (leader)
Description: Jazz/dance band


9/21/1922 New York, New York


Condition:


EXCELLENT PRISTINE, plays very quiet great sound

A Great COPY



The members of Whiteman\'s Orchestra in 1930

Paul Whiteman and his Orchestra was the most popular band of the 1920s and represented the apex of jazz to the general public. Over the years, critics and some musicians like Eddie Condon, have not had kind words to say about the band and have tended to represent Whiteman as a bad influence on the music in his attempts to \"Make a lady out of Jazz\". The title of \"The King Of Jazz\" which Whiteman was billed as seems somewhat politically incorrect these days, but in the 1920s he dominated the scene and hired the best White hot musicians like Bix Beiderbecke, Frankie Trumbauer, Eddie Lang, Joe Venuti, Jack Teagarden and many more to play in his band. Paul Whiteman greatly enriched American music by commissioning George Gershwin to write Rhapsody In Blue which became his orchestra\'s signature tune. He also \"discovered\" Bing Crosby and featured him in Paul Whiteman\'s Rhythm Boys, and gave the career of Hoagy Carmichael a boost, by recording several of Hoagy\'s songs early in his career. Jazz singer Mildred Bailey also rose to fame in the orchestra in the 1930s. So, what was it that has led Whiteman\'s name to be dragged through the mud in the annals of Jazz history? Paul Whiteman being the most popular Jazz band leader of the Jazz Age is blamed for the racism in America that denied African-American musicians the credit that they deserved in the history of Jazz. If there is such a thing as the \"King of Jazz\" the title belongs to Louis Armstrong, although that may not have been clear to most people in the 1920s. Whiteman is also criticized for not hiring African-American musicians to play in his band, but this argument ignores the commercial realities of the period. Paul Whiteman was clearly not a racist. He commissioned Duke Ellington to write for his modern music series, recorded with Paul Robeson and Billie Holiday, and hired Don Redman as an arranger in the 1930s and was generally held in high regards as a person by musicians both Black and White. The worst that can be leveled at Whiteman was that he was a businessman. Despite that, Whiteman made some very good Jazz records in the 1920s such as San, Washboard Blues, Mississippi Mud, Whiteman Stomp, Wang Wang Blues and I\'m Coming, Virginia. His interest in making symphonic Jazz led the way for generations of Jazz musicians as diverse as Miles Davis, Gil Evans, The Modern Jazz Quartet and Winton Marsalis, who may not directly cite Whiteman as an influence, but have certainly walked down the path that he blazed at points in their careers.



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