1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+ for Sale

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1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+ For Sale

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1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+:
$111.97

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1964Washington DC CathedralGloria In Excelsis Deo Vinyl 2-LP Record Set VG+
Vinyl Grade per Goldmine Standard: VG+
Comes with box and literature as shown
Washington Cathedral Choir Of Men & Boys, The Cathedral Choral Society*, The National Cathedral School for Girls Glee Club, The Saint Albans School for Boys Glee Club, Members of the National Symphony Orchestra* Conductor, Organist And Choirmaster: Paul Callaway Narrator: Basil Rathbone Carilloneur: Donald Barnes – Gloria In Excelsis Deo
MUSIC COMPOSED FOR AND GIVEN TOWASHINGTON CATHEDRAL IN HONOR OF THEDEDICATION OF THE GLORIA IN EXCELSIS TOWERASCENSION DAY, MAY 7, 1964Side 1 CHORALE FOR ASCENSION DAY, 1964 Samuel Barberfor 3 trumpets, 2 horns, 3 trombones, tuba and timpani.ASCENTION Lee Hoibyfor 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 trumpets, 2 horns, 3trombones, tuba, timpani, percussion, 4 herald trumpets, and chorus.Setting of a holy sonnet by John Donne (1572-1631).COME RISEN LORD Leo SowerbyA tune composed for Hymn 207 in the Protestant Episcopal Hymnal,1940, and arranged for wind instruments by the composer.Side 2 TE DEUM LAUDAMUS John La Montainefor piccolo, 2 flutes, 2 oboes, 2 clarinets (E-flat, B-flat), bassoon andcontrabassoon, 3 trumpets, 2 horns, 3 trombones, tuba, timpani, per-cussion, 4 herald trumpets, chorus, and Narrator.Side 3 IN BABILONE Leo SowerbyA chorale for 3 trumpets, 2 horns, 3 trombones, tuba, timpani, andcarillon.O GOD, MY HEART IS READY Leo SowerbyAn unaccompanied setting for mixed chorus of the opening verses ofPsalm 108, as found in The Book of Common Prayer.THE ASCENSION Ned RoremA festival setting of a sonnet by Joseph Beaumont (1615-1699) for 2flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 trumpets, 2 horns, 3 trombones,tuba, timpani, percussion and mixed voices.Side 4 FANTASY ON KING’S WESTON FOR CARILLON Milford MyhreTE DEUM LAUDAMUS FOR CARILLON Roy Hamlin JohnsonGLORIA IN EXCELSIS DEO Stanley Hollingsworthfor 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 trumpets, 2 horns, 3 trom-bones, tuba, timpani, percussion, 4 herald trumpets, and mixed voices.Piano reductions of the orchestral scores by Norman Scribner, AssistantOrganist and Choirmaster.HYMNS, PSALMS, AND CANTICLESSide 1 ALLELUIA, SING TO JESUS (Hymn 347) Tune: HyfrydolAccompaniment arranged for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons,3 trumpets, 2 horns, 3 trombones, tuba, timpani, and organ, by DavidKoehring, Assistant Organist and Choirmaster and Fellow of the Col-lege of Church Musicians.FATHER, WE THANK THEE (Hymn 195) Tune: Rendez a DieuHAIL THEE FESTIVAL DAY (Hymn 102) Tune: Salve Festa DiesAccompaniments arranged for the above combination of instrumentswith the addition of herald trumpets for the last refrain of \"Salve festadies” by Norman Scribner.Accompaniment arrangesof Church Musicians.Side 2 PSALM 132 Chant: E. EdwardsFrom the American PsalterBENEDICITE OMNIA OPERA Richard DirksenAn excerpt from “The Fiery Furnace” composed for the dedication ofthe South Transept in 1962. For flute, oboe, horn, trumpet,2 bassoons,harp, percussion, and mixed voices.Side 3 PSALM 47 Chant: GossMAGNIFICAT Tone VII; Solemn FormPlainsong setting found at number 658 in The Hymnal, 1940. Hand-bell accompaniment, ad libitum.THE BELLSSide 1 Immediately following the brass chorale, and preceding the Sanctus,the tolling of the tenor bell of the ring is heard.Side 2 At the conclusion of the TE DEUM LAUDAMUS, the Bourdon bellof the carillon is heard against the narration, tolled manually.Following the BENEDICITE it is heard as tolled by the machine.Side 3 The tenor bell of the ring, tolling during the opening of the first nar-ration, the Bourdon of the carillon striking three strokes following it.Accompanying handbells in the magnificat are four bells from the setmade by the Whitechapel Foundry and used in the tower for change-ringing practice.The bells heard at the end of this side and again on side four arebells 3 through 2 of the ten bell ring. (See p. 31 for specifications.) Themethod is Grandsire Doubles.Side 4 THE KIBBEY MEMORIAL CARILLONFifty-three bells ranging from the E-flat Bourdon to a fifteen poundbell at the treble end.Dedicated in September of 1963, this instrument is among the mostperfectly tuned carillons in the world and is the work of the JohnTaylor Co. of Loughborough, England. (See p. 32 .)At the Epilogue, the ringing of Grandsire Doubles on the six handbellsaccompanies the reading. At the conclusion of the side, the peal isagain heard.the narrationhe compilation and editing of the script was done by Joan Dirksenand the Canon Precentor.His valuable time and talent was the gift of Mr. Basil Rathbone, andFh \"7atl0,n WaS done in New York at the Riverside Church, ChristUnapel, m January, 1964.Following are the general sources of the narration:THE BUILDING OF A CATHEDRALThe Right Reverend Henry Yates Satterlee, D.D., L.L.D., The FirstBishop of WashingtonPublished in 1902 by Edwin S. Gorham, New YorkTHE GLORIA IN EXCELSIS TOWERAn article from the Cathedral Age, 1937, by Philip Hubert FrohmanREPORTS OF DEAN FRANCIS B. SAYRE, JR., TO THECATHEDRAL CHAPTERTHE BOOK OF COMMON PRAYERSpecific Sources:Side 1—“Lord Jesus! With what sweetness and delights.”The poem, ASCENSION DAY, by Henry Vaughan (1621-1695)Side 3—The Litany of Reconciliation from Coventry CathedralThe close of this side and opening of Side 4:Excerpts from THE BENEDICTION OF A CHURCH BELL, asearlier found in the Pontifical of Anianus, and reprinted in DivineWorship in England. (Earliest probable source: EGBERT’S PAN-TIFICAL, A.D. 738)PARTICIPATING GROUPS AND INDIVIDUALSNarrator- Basil RathboneThe Washington Cathedral Choir of Men and BoysThe Cathedral Choral SocietyThe National Cathedral School for Girls Glee ClubThe Saint Albans School for Boys Glee ClubMembers of the National Symphony Orchestra and Local 161,D. C. Federation of Musicians, A.F.M.THE CATHEDRAL MUSIC STAFFPaul Callaway, Organist and ChoirmasterNorman Scribner, Assistant Organist and ChoirmasterDavid Koehring, Assistant Organist and ChoirmasterRonald Barnes, Cathedral CarillonneurRichard Dirksen, Director of the Glee ClubsBELL RINGERSGeoffrey Dirksen, TrebleDavid BartlettThomas BrushartJohn LillardRichard S. DirksenWayne Dirksen, TenorRECORDING ENGINEERKenneth Mapes, Vice-President of Mirrosonic Records, Ltd.,of New YorkTECHNICAL SUMMARYMirrosonic Records of New York produced this recording under thepersonal supervision of Kenneth Mapes, Chief Technician and Engi-neer. The equipment necessary for the five sessions held in theCathedral in late February included. 2 Ampex (/00) recorders, two-thousand-five hundred feet of cables, a twelve-channel mixer, nineNeumann microphones with power packs and on eighteen-foot adjust-able stands, two stereo playback speakers, and alland rigs to power and combine the many units.3M-201 tape were used.The carillon bell heard in the Te Deurn (Side 2) was recorded at thetime of the orchestra performance, not dubbed in later. The hymnsinging on Side 1 was produced by mixing the three choral groups(350 singers) haphazardly over the entire west Nave area. The factthat they are not in sections explains the unusual homogeneity of thesound.necessary amplifierForty-eight reels ofINDEX OF MUSICchorale for ascension day, 1964, Samuel Barberascention, Lee Hoibycome, risen lord, Leo Sowerbyte deum laudamus, John La Montainebenedicite omnia opera, Richard Dirksenin babilone, Leo Sowerbyo god, my heart is ready, Leo Sowerbythe ascension, Ned Roremfantasy on king’s weston, Milford Myhrete deum laudamus, Roy Hamlin Johnsongloria in excelsis, Stanley HollingsworthTECHNICAL SUMMARYMirrosonic Records of New York produced this recordinpersonal supervision of Kenneth Mapes, Chief Technician thcneer. The equipment necessary for the five sessions fiCathedral in late February included: 2 Ampex (700) reco I Ulethousand-five hundred feet of cables, a twelve-channel tW°*Neumann microphones with power packs and on eighteenT^’ n‘neable stands, two stereo playback speakers, and all necessar 0<>t a<9Ust’and rigs to power and combine the many units. Forty-e \\ am^lifiers3M-201 tape were used. lee^s ofThe carillon bell heard in the Te Deum (Side 2^ waer i i r k \' was recorded nt ntime of the orchestra performance, not dubbed in later \'ll Ulcsinging on Side 1 was produced by mixing the three ch 1° hymn(350 singers) haphazardly over the entire west Nave area^TJ81011^that they are not tn sections explains the unusual homogeneitvsound. gmetty ol theindex of musicpage39 chorale for ascension day, 1964, Samuel Barber41 ascention, Lee Hoiby59 come, risen lord, Leo Sowerby61 te deum laudamus, John La Montaine85 benedicite omnia opera, Richard Dirksen125 in babilone, Leo Sowerby131 o cod, my heart is ready, Leo Sowerby139 the ascension, Ned Rorem154 fantasy on king’s weston, Milford Myhre159 te deum laudamus, Roy Hamlin Johnson165 gloria in excelsis, Stanley Hollingsworth

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1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+ For Sale

1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+: $111.97

1964 Washington DC Cathedral Gloria In Excelsis Deo Vinyl 2-LP Record Set VG+:
$111.97