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A series of great JAZZ Blues and R&B Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
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his very first recordi July 16 1925
w Lawrence Brown piano and sometimes singing
Paul Robeson – Were You There? / Steal Away
Victor – 19742
Format:
Shellac, 10", 78 RPM
Released:
Oct 1925
Genre:
Folk, World, & Country
Style:
Gospel
AWere You There? (When They Crucified My Lord)
BSteal Away
Record Company – Victor Talking Machine Co.
Bass Vocals – Paul Robeson
Piano [Accompaniment] – Lawrence Brown (4)
Both sides - Bass with piano, negro spiritual
Orig Issue Victor electric Batwing10" 78 rpm record
Condition: EXCELLENT light scuffs, plays very quiet
A SUPERB COPY
Paul LeRoy Bustill Robeson (April 9, 1898 û January 23, 1976) was a multi-lingual American actor, athlete, Basso cantante concert singer, writer, civil rights activist, fellow traveler, Spingarn Medal winner, and Stalin Peace Prize laureate.
Early life and education
Robeson was born in Princeton, New Jersey. His father, William Drew Robeson I, ran away from a North Carolina plantation where he had been born a slave; he later graduated from Lincoln University (Pennsylvania) and became a church minister.[1] His mother, Maria Louisa Bustill, came from an abolitionist Quaker family .[1] Paul's four siblings included: William Drew Robeson, a physician who practiced in Washington, D.C.; Benjamin Robeson, a minister; Reeve Robeson (called Reed); and Marian Robeson, who lived in Philadelphia. In 1915, Paul graduated with honors from Somerville High School in Somerville, New Jersey, where he excelled academically and participated in singing, acting, and athletics.
Career
Robeson found fame as an actor and singer star with his fine bass voice. He is one of the few true basses in American music, with his beautiful and powerful voice descending as low as C below the bass clef. In addition to his stage performances, his renditions of old spirituals were acclaimed; Robeson was the first to bring them to the concert stage.
His first roles were in 1922 playing Simon in Simon the Cyrenian at the Harlem YMCA and Jim in Taboo at the Sam Harris Theater in Harlem. Taboo was later re-named Vodoo. He was acclaimed for his 1924 performance in the title role of Eugene O'Neill's The Emperor Jones ù originally performed, also with great success, by Charles Gilpin in 1920. He was also noted in his early career for his performance in All God's Chillun Got Wings in which he portrayed the black husband of an abusive white woman who, resenting her husband's skin colour, destroys his promising career as a lawyer.[5]
Next he played Crown in the stage version of DuBose Heyward's novel Porgy, which provided the basis for George and Ira Gershwin's opera Porgy and Bess. Then, in 1930, he starred in the title role in Shakespeare's Othello in England, when no US company would employ him for the part. He reprised the role in New York in 1943, and toured the U.S. with it until 1945. His Broadway run of Othello is still, as of 2006, the longest of any Shakespeare play. He won the Spingarn Medal in 1945 for this performance. Uta Hagen played Desdemona, and JosT Ferrer played Iago. He played the role of Joe, which was written for him, in the 1928 London production of Show Boat, and repeated his performance in the 1932 Broadway revival of the show, the 1936 film version, and a 1940 Los Angeles stage production. He also played the role of Toussaint L'Ouverture in a 1936 play by C.L.R. James alongside the actor Robert Adams. Robeson's repertoire of African-American folk songs helped bring these to much wider attention both inside the US and abroad ù in particular his rendition of "Go Down Moses." Robeson also became interested in the folk music of the world; he came to be conversant with 20 languages, fluent or near fluent in 12. His standard repertoire after the 1920s included songs in many languages (e.g., Chinese, Russian, Yiddish, German, etc.).
Between 1925 and 1942 Robeson appeared in eleven films ù all but four of them British productions ù after he and his wife moved to England in the late 1920s. He remained there, with long periods away on singing tours, until the outbreak of World War II. At the height of his popularity in the 1930s, Robeson became a major box office attraction in British films such as Song of Freedom and The Proud Valley. Briefly returning to the US he reprised his title role in Dudley Murphy's film version of Eugene O'Neill's The Emperor Jones in 1933. The 1936 Universal film Show Boat was a box office hit for Robeson, and the most frequently shown and highly acclaimed of all his films. His performance of "Ol' Man River" for this film was particularly notable. He was Umbopa in the 1937 version of King Solomon's Mines. In films such as Jericho and Proud Valley, he portrayed strong black American male leading roles. Robeson left Britain during the Second World War. It was later discovered that his name was in The Black Book, a Nazi document listing thousands of people living in Britain who were to be arrested following the successful completion of Operation Sealion.
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1st Rec 1925 PAUL ROBESON Joshua Fit De Battle Ob Jericho/ Bye And Bye VIC 19743
$19.99
1st Rec FANNY BRICE Ziegfeld Follies 1921 MY MAN Second Hand Rose VICTOR 45263
$64.99
1st Rec 1923 ST LOUIS SYMPHONY Rudolph Ganz D'Albert Improvisator VICTOR 45389
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