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Riley bases the ten movements of The Harp of New Albion on the concept of tonalities. The liner notes explain the complicated ratios Riley devised for tuning his octaves. He says, "The idea of piano as harp influences my method of playing, as does the tuning from which the particular consonances and dissonances determine the emerging energies that flow through both instrument and performer."
Although Riley improvises throughout The Harp of New Albion, each movement is defined by structural or composed elements. Astonishingly, the halo of harmonics drifting above his solo piano creates an orchestral sound, complete with horns, reeds, strings and voices. At times, the melodic interplay is ethereal, the micro-tonal relationships within the standing waves of sounds creating a haunting spectrum.
Special note should be taken of the majestic Bösendorfer Imperial grand piano, especially tuned for Riley to play in the acoustically-fabulous Academy of Music in München, Germany. The entire recording was accomplished during one incredible night of inspired piano performance.
tracklist Disk 1: 1 The New Albion Chorale/The Discovery 21'31" 2 The Orchestra of Tao 15'30" 3 Riding the Westerleys 16'40" Total Time: 53'43" Disk 2: 1 Cadence on the Wind 5'02" 2 Premonition Rag 6'37" 3 Return of the Ancestors 10'00" 4 Ascending Whale Dreams 8'30" 5 The Magic Knot Waltz 9'25" 6 Circle of Wolves 9'46" 7 Land's End 6'51" Total Time: 56'22"
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