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Rolling Stones Midnight Rambler
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from LUGA.latrobe.edu.au (luga.latrobe.edu.au [131.172.2.2]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id IAA00251 for ; Thu, 10 Mar 1994 08:55:02 -0800 Received: from lux.latrobe.edu.au by LUGA.latrobe.edu.au with SMTP id AA13582 (5.67a/IDA-1.5/LTU-1.0 for ); Fri, 11 Mar 1994 01:29:37 +1000 Received: by lux.latrobe.edu.au (5.67a/Ultrix3.0-C) id AA29066; Fri, 11 Mar 1994 01:29:36 +1000 Date: Fri, 11 Mar 1994 01:29:36 +1000 From: [email protected] ( Junacko) Message-Id: <[email protected]> Subject: Rolling Stones - Midnight Rambler
From: [email protected] (Marc Hertzberg (History: Love it or leave it!))
Subject: Re: REQ: Midnight Rambler
Well, this is by no means complete TAB, but it's such fun just to play the intro that I figured I'd post it. Keith probably used some wierd tuning and played it completely different! You might have to do some muting on that funny chord.
Also, I have no idea what the "real" key is on the record.
Marc
Midnight Rambler
Opening riff:
-|-----------------5--5-----------------------------------------------
-|-----------------8--8-----------------------------------------------
-|-----------------7--7-----------------------------------------------
-|-----------------5--5--7--7--7--9--9--7--7--9-----------------------
-|--7--7--7--9--7--5--5--5--5--5--5--5--5--5--5-----------------------
-|--5--5--5--5--5--5--5-----------------------------------------------
>From: [email protected] (Daniel E. Platt)
Subject: Re: REQ: Midnight Rambler (fwd)
In the meantime, here's some other chords to try on that song.
Hope you like them...
In article <[email protected]>, you write:
|>
|>
|> Well, this is by no means complete TAB, but it's such fun just to play the intro that I figured I'd post it. Keith probably used some wierd tuning and played it completely different! You might have to do some muting on that funny chord.
|> Also, I have no idea what the "real" key is on the record.
|>
|> Marc
|>
|> Midnight Rambler
|>
|> Opening riff:
|>
|> -|-----------------5--5-----------------------------------------------
|> -|-----------------8--8-----------------------------------------------
|> -|-----------------7--7-----------------------------------------------
|> -|-----------------5--5--7--7--7--9--9--7--7--9-----------------------
|> -|--7--7--7--9--7--5--5--5--5--5--5--5--5--5--5-----------------------
|> -|--5--5--5--5--5--5--5-----------------------------------------------
Should be:
-|-----------------x---x-----------------------------------------------
-|-----------------15--14-----------------------------------------------
-|-----------------14--14-----------------------------------------------
-|-----------------14--14--5--7--7--9--9*-7--7--9-----------------------
-|--5--7--7--9--7--xx--xx--5--5--5--5--5--5--5--5-----------------------
-|--5--5--5--5--5--xx--xx-----------------------------------------------
*This '9' is sometimes a '5' on the live version.
-|-----x---x-----------------------------------------------
-|----14--12---7---5---------------------------------------
-|----14--14---7---5---------------------------------------
-|----14--14---7---5---------------------------------------
-|----xx--xx----------5---7---7---9--9---10---10---9-------
-|----xx--xx----------5---5---5---5--5----5----5---5-------
The 'A' chord (you're playing the 1-5-8 version with no 3rd --
not major or minor) is actually two chords, a suspension that
resolves to the major -- played at the 12th fret (drag).
Once it gets to the break, there's the two chord da Daahh da Daahh
stuff... those chords are
------------------
------7-----------
------7------5h6-- (Do various riffs here)
------7------5----
---7--5---7--7----
---5--5---5--5----
The 5'th fret on the D string is a min 7 interval making the
major a dominant 7. The 5h6 is a hammer-on (gives it that
bluesy feel).
Dan
--
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Daniel E. Platt [email protected]
The views expressed here do not necessarily reflect those of my employer.
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